Biography
- Born: December 18, 1958,
- Hometown: Philadelphia, Pennsylvania.
- Education: University of Michigan (B.A.); Yale School of Music (M.M.); doctoral work at Princeton University.
Style and Influence
- Strongly rhythmic, often repetitive with subtle transformations—reminiscent of post-minimalism.
- Emphasis on American working-class themes, especially stories of laborers and women.
- Uses amplified ensembles, nontraditional instrumentation, and sometimes video or theatrical elements.
- Collaborates frequently with visual artists, writers, and choreographers.
Selected Works
- Anthracite Fields (2014) - A Pulitzer Prize-winning oratorio for choir and ensemble. Focuses on the lives of Pennsylvania coal miners. Combines archival text, oral histories, and powerful musical textures. Described by Wolfe as a “requiem for workers.”
- Fire in my mouth (2019) – An oratorio for women's choir and orchestra, commissioned by the New York Philharmonic.
Tells the story of immigrant women in the garment industry, particularly the 1911 Triangle Shirtwaist Factory fire.
- Steel Hammer (2009) – Inspired by the American folk legend of John Henry. Explores myth, memory, and the blurred line between fact and folklore. Uses altered traditional instruments and extended vocal techniques.
- Big Beautiful Dark and Scary (2002) – An energetic, intense work for the Bang on a Can All-Stars.
Awards and Recognition
- Pulitzer Prize for Music (2015) – Anthracite Fields
- MacArthur "Genius" Fellowship (2016)
- Grammy Nomination for Anthracite Fields
- Numerous residencies and commissions from major ensembles and institutions.
Bang on a Can
Julia Wolfe co-founded Bang on a Can in 1987 with composers David Lang and Michael Gordon. The collective champions new music outside traditional classical structures, runs the Bang on a Can All-Stars ensemble, and hosts the Bang on a Can Marathon, a long-form concert of experimental and genre-crossing music.