Organisation (1980) introduced darker tones, (hit single Enola Gay, an anti-war anthem); Architecture & Morality (1981), was their artistic high point, with choral textures and synthpop hits like Souvenir, Joan of Arc, and Maid of Orleans; Dazzle Ships (1983), was an ambitious, experimental, mixing pop with shortwave radio samples; though a commercial disappointment at the time, it’s now considered a visionary classic; Junk Culture (1984), Crush (1985), and The Pacific Age (1986) brought a more mainstream sound (Locomotion, So in Love, If You Leave — the latter became a U.S. hit via Pretty in Pink).
Paul Humphreys left in 1989; Andy McCluskey carried on under the OMD name through the 1990s, but with less success. They reunited in the 2000s with the classic lineup. Recent albums (History of Modern in 2010, The Punishment of Luxury in 2017, and Bauhaus Staircase in 2023) received strong critical and fan acclaim, showing their continued creativity.